A Question of Density, Indeed

My thanks to Greg Mckhool for reminding me that I needed to write something about this:

There is a misleading comment in the Dr. Gridlock column of today’s (Apr. 3) Globe and Mail by the TTC’s Tom Middlebrook that needs to be highlighted.

He tries to justify extending the subway to Vaughan’s “field of dreams” by saying that Toronto’s downtown didn’t look like it does today when the Yonge subway was built.  Technically that’s true, but there certainly was a downtown there, and transit ridership along Yonge was substantial. He should know better…

You can find Jeff Gray’s column (Dr. Gridlock) here. Continue reading

Density and Subway Construction

Two recent press items caught my eye:

  • In today’s Globe & Mail, we have an article about residents of Sheppard Avenue who are astounded to find that high density, high rise development is coming to their neighbourhoods.  This development is a direct consequence of the Sheppard Subway line and, indeed, that line’s existence was cited by the Ontario Municipal Board as a reason that the developments should be approved.  Click here.
  • In Thursday’s Metro, Ed Drass reports rather astounding, if sensible, statements attributed to Rick Ducharme, Chief General Manager of the TTC.  Ducharme feels that if the Spadina extension is going to be like Sheppard, without significant, high density development, then it should not be built.  Click here.

Continue reading

Subway Art: Watercolours by Sigmund Augustus Serafin

Many years ago, the TTC was cleaning house at 1900 Yonge and a lot of old stuff was heading to the garbage can.  The combined efforts of various fans saved some material that would otherwise have been lost thanks to Ted Wickson, now retired from the TTC, who alerted people to what was happening.

I took custody of eight watercolours of proposed station designs for the University and Bloor-Danforth subway lines painted in 1957 and 1958 by Serafin.  Recently, for the Bloor subway’s 40th birthday, I brought them out of storage and was amazed at their excellent condition.

James Bow’s site at Transit Toronto has many galleries, and it seemed a more appropriate location to display the paintings than here.  If you want to see them, follow this link to Transit Toronto.